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"The Maybe Man" on Spotify
"The Maybe Man" song-by-song review
Maybe Man

"I wish I was me, whoever that is/I could just be and not give a sh**/Hey, I'll be whatever makes you a fan/'Cause I don't know who the h*** I am"

As the first song on the album, "The Maybe Man" sets the scene for our unlikely hero, Jack, as he sings a string of dreams and doubts he has for life. Like AJR's previous albums, "The Maybe Man" acts as the overture — but not in the way fans were expecting. Unlike their previous albums, each stanza in The Maybe Man corresponds to a different song in the album:

Verse One: "Touchy Feely Fool," Verse Two: "Yes I'm a Mess," Verse Three: "Turning Out Pt. iii," Verse Four: "Steve's Going to London," Verse Five: "The Dumb Song," Verse Six: "Hole in the Bottom of My Brain," Verse Seven: "The DJ Is Crying For Help," Verse Eight: "I Won't," Verse Nine: "Inertia," Verse 10 and 11: "God is Really Real" and Verse 12: "2085."

In the outro, Jack belts the lyric, "Here I go again," signaling the cycle between life, death and self-discovery is starting once more for the listener and The Maybe Man. While I'm still unsure about the tone change over halfway through the piece, it still a very impactful way to start the album.

Touchy Feely Fool

"I'm screwed/But, hey, what can you do?/I'm a touchy feely fool/I would give anything to not give a sh** about you."

This song is a people pleaser's anthem. Despite the red flags, AJR encapsulates the inability to leave someone with obvious red flags and how it mentally affects an individual. I love when Jack screams his frustrations into the pre-chorus, but it switches back to the happy chorus because a people pleaser will continue please, of course. The more I listened to the song, the more I adapted to the ending, and now I very much enjoy this number.

Yes I'm A Mess

"And I took a job for just July/But feels like I might be here for life/Yeah, I’m in it now, I'm in it now/Could I start again somehow?"

"Yes, I'm A Mess" almost immerses the listener into a western movie set in 2023. From the whistling to the steady drumming, the listener voyages on through life while conscious they are making more of a mess of it. It's relatable and catchy, and you'll find yourself whistling along soon, too.

The Dumb Song

"When we go down/When kingdom come/Don't look at me, don't look at me/I'm just too dumb." 

While this song is called "The Dumb Song," it spotlights the painful feeling of perceiving yourself as "too dumb." With gang vocals inspired by the Beach Boys, horns and guitar give the song a facade of being lighthearted, but also give weight to the insecurity of stupidity.

Inertia

"I'm an object in motion, I've lost all emotion/My two legs are broken, but look at me dance/An object in motion, don't ask where I'm going/'Cause whеre I am goin' is right where I am." 

This is my personal favorite song of this entire album. Inertia focuses on someone who knows their life is messed up but doesn't try to do anything to change the trajectory. This song highlights the numbing experience of living a subpar life and the general feeling of being lost, which is something I can definitely relate to. Though I wish the drums and horns hit harder, it's the song I connect with the most, and I will continue listening to it on repeat.

Turning Out Pt. iii

"'Cause half the time I can't love right/And I'm half yours, and you're all mine."

Turning Out Pt.iii ends a beloved trilogy, written and lived by Ryan Met. After the previous songs question being ready for love and whether the feeling is actually love, this song illustrates the anxiety of wondering if you are on the right path with this person. While this song dances around dreams and doubts, it feels like the big hug Ryan needed and a reminder that love is little, quiet and worth waiting for.

Hole in the Bottom of My Brain

"Heads up, I'm sorry to be that guy/Heads up, I'm lookin' to just get by/Let's just say, let's just say we're fine." 

Inspired by the children's song, “There’s A Hole in the Bottom of the Sea,” this song illustrates the constant feeling of missing something. The dichotomy of a children's song melody while mentioning heavier topics of addiction and struggling mental health is an interesting choice. I didn't agree with it at first until I realized the interesting irony of song. While the lyrics are stronger than the melody in this piece, it deserves a listen.

The DJ is Crying for Help

"Oh, hired, hired, can I get hired?/Yeah, I fu**** up, but I did it my way/I'm tryin', tryin', I can start Friday/Gettin' a life's a little like dyin'."

This is another top pick of the entire album for me, ever since it came out as a single all the way from November 2022. As the song title suggests, the singer is crying for help. They don't know what to do or what step to take next. The violin after the chorus ties seamlessly alongside the gang vocals, and the melodies together sound similar to what a panic attack feels like. As someone who has had panic attacks before, it's almost comforting to find a song that illustrates the internal commotion. This is one of the songs where the powerful music production shines through.

I Won't

"So I do what you tell me to and do it to death/But I can't do this sh** again."

This song is meant get your head banging along with its simple drums and rhythm. With the fast-paced singing, it feels like all the thoughts in the singer's head are finally getting out and recognizing the emotions and ideas they had been holding back. It's a thought-train song — a great song to simply just vibe and sing along with.

Steve's Going to London

"While you try to find some meaning in your life before you die/Here's a bunch of random sh** to waste your time."

This song didn't sell me at first because, unlike the rest of the album, it didn't have the same emotional hold or bigger meaning. But that's part of the point — it serves as the album's brain-empty track: a song about writing song. Add in the gang vocals bringing the song together, and it is a fun listen overall.

God is Really Real

"God is really real when you really, really need Him/Karma just appears when you suddenly believe it." 

This is the most emotional song of the album. Whether you are religious or not, "God is Really Real" highlights the desparation one feels when a loved one is close to the end. You hear it in Jack's vocals, and you hear it in the rise of the guitars and choir. It's a beautiful track for anyone who has ever lost someone.

2085

"So if this is me, then I'll do my best/I'll take all the sh** so you'll never have to/You can be you, and I'll be the rest/Yeah, maybe that's who the h*** I am."

The ultimate conclusion to the album is incredible. While on the first listen it feels as though two songs are strung into one, it works in the context of "The Maybe Man" as a whole. He is able to reflect on what he learned — the value of connection, creativity and constant growth  — and say so in both a warm, guitar-driven piece and a larger-than-life ballad all tied in one song.

One of my favorite aspects of the song is after Jack repeats how "you" need to get better, he states, "I gotta get better; I'm all that I've got." To me, this alludes that there is a part of The Maybe Man in each of us; when we get lost in life, we all need to be reminded that we have to keep going at whatever pace is best for us.

‘It’s really exhilarating’: Drama Queens perform in final show of the year, present scenes, songs

Seniors+Maddie+Lundberg+and+Audrey+Chen+watch+seniors+Anaiya+Asomugha++and+Alexis+David+perform+a+scene+from+the+movie+The+Social+Network.+Archers+Drama+Queens+performed+scenes+from+a+variety+of+works+during+their+final+performance+of+the+school+year%2C+May+14%2C+in+the+Blackbox.
Photo credit: Zoe Gazzuolo
Seniors Maddie Lundberg and Audrey Chen watch seniors Anaiya Asomugha and Alexis David perform a scene from the movie “The Social Network.” Archer’s Drama Queens performed scenes from a variety of works during their final performance of the school year, May 14, in the Blackbox.

From “Bob’s Burgers” to “Bodies Bodies Bodies” to “The Social Network,” Archer’s Drama Queens showcased a wide variety of scenes, songs and skits during their final show of the 2023-24 school year.

The Drama Queens is a theater group composed of students in the intermediate, advanced and advanced study theater classes. Their cabaret performance took place during lunch in the Blackbox Tuesday, May 14. It was only open for viewing to upper schoolers, faculty and staff due to explicit language. 

Junior Bryce Collis, who has been a Drama Queen for the past two years, performed the song “Sincerely Me” from “Dear Evan Hansen” with Anaiya Asomugha (’24) and Hayden Seid (’25). She said that since this show was a cabaret performance, each actor had the freedom to choose which pieces they performed. 

“As theater kids, you usually have a dream song that you wouldn’t be able to perform because of your typecast or the fact that it’s not really school-appropriate. ‘Sincerely Me’ from ‘Dear Evan Hanson’ was that for me, Anaiya and Hayden,” Collis said. “It’s a really funny song that we would never usually get the chance to do at school unless we decided to do it for a show like this. Having that kind of opportunity was so much fun and really great.”

This most recent performance was the group’s fourth show this school year. Junior Amelia Lewinson performed a scene from Greg Edwards and Andy Sanberg’s play “Application Pending.” She said a highlight of the show was watching the other groups perform.

“I’ve seen all the other scenes and songs in class a bunch of times, but it didn’t compare to when they were on the stage. I thought it was absolutely hilarious, and it was really nice seeing our seniors shine on stage,” Lewinson said. “Each senior got to pick what they wanted to perform, so it was awesome seeing people in their element.”

According to Collis, the preparation leading up to the show began about two weeks prior to the performances and included selecting the material, practicing each scene and perfecting the choreography and staging. Junior Grace Whitney, who performed alongside Lewinson in “Application Pending,” reflected on her experience rehearsing for the show.

“It’s always fun to both be a part of something and — because it’s a larger ensemble show — to watch everyone else and watch these pieces evolve over time,” Whitney said. “You get to see everyone grow into the piece and put their own spin on it. Some of these pieces are from movies that are pretty well-known, so it’s fun to see people take artistic liberties.”

Lewinson said her favorite part of being a Drama Queen is having a space to perform and be her true, unfiltered self outside of a classroom setting. 

“[Performing] is really exhilarating because … you’re giving this thing that you worked really hard on to others. And also, what’s great about an audience is their reactions. I love making people happy. I love making people smile, laugh or cry,” Lewinson said. “The reactions of the audience are always incredible for an actor to be looking at – it’s validation.”

Like Lewinson, Collis also described the feeling of performing in front of a crowd as exhilarating. She said the Drama Queens harnessed their collective spirit and energy for this show, in a way she had never seen before, making it very special to her. 

“Having something to share with an audience is so special because you’re on your toes making sure you don’t mess up, making sure you’re getting your message across,” Collis said. “Especially in the Blackbox with familiar faces, it just feels really like home to me now after all these years.”

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About the Contributor
Zoe Gazzuolo
Zoe Gazzuolo, Culture Editor
Zoe Gazzuolo joined The Oracle as a staff reporter in 2022 and became the Culture Editor in 2023. She plays tennis and joined the Archer Varsity team her freshman year. In her free time, she loves hanging out with friends, baking and listening to music.

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