The student news site of The Archer School for Girls

The Oracle

The Latest
The student news site of The Archer School for Girls

The Oracle

The student news site of The Archer School for Girls

The Oracle

Instagram Feed
Email Subscription
"The Maybe Man" on Spotify
"The Maybe Man" song-by-song review
Maybe Man

"I wish I was me, whoever that is/I could just be and not give a sh**/Hey, I'll be whatever makes you a fan/'Cause I don't know who the h*** I am"

As the first song on the album, "The Maybe Man" sets the scene for our unlikely hero, Jack, as he sings a string of dreams and doubts he has for life. Like AJR's previous albums, "The Maybe Man" acts as the overture — but not in the way fans were expecting. Unlike their previous albums, each stanza in The Maybe Man corresponds to a different song in the album:

Verse One: "Touchy Feely Fool," Verse Two: "Yes I'm a Mess," Verse Three: "Turning Out Pt. iii," Verse Four: "Steve's Going to London," Verse Five: "The Dumb Song," Verse Six: "Hole in the Bottom of My Brain," Verse Seven: "The DJ Is Crying For Help," Verse Eight: "I Won't," Verse Nine: "Inertia," Verse 10 and 11: "God is Really Real" and Verse 12: "2085."

In the outro, Jack belts the lyric, "Here I go again," signaling the cycle between life, death and self-discovery is starting once more for the listener and The Maybe Man. While I'm still unsure about the tone change over halfway through the piece, it still a very impactful way to start the album.

Touchy Feely Fool

"I'm screwed/But, hey, what can you do?/I'm a touchy feely fool/I would give anything to not give a sh** about you."

This song is a people pleaser's anthem. Despite the red flags, AJR encapsulates the inability to leave someone with obvious red flags and how it mentally affects an individual. I love when Jack screams his frustrations into the pre-chorus, but it switches back to the happy chorus because a people pleaser will continue please, of course. The more I listened to the song, the more I adapted to the ending, and now I very much enjoy this number.

Yes I'm A Mess

"And I took a job for just July/But feels like I might be here for life/Yeah, I’m in it now, I'm in it now/Could I start again somehow?"

"Yes, I'm A Mess" almost immerses the listener into a western movie set in 2023. From the whistling to the steady drumming, the listener voyages on through life while conscious they are making more of a mess of it. It's relatable and catchy, and you'll find yourself whistling along soon, too.

The Dumb Song

"When we go down/When kingdom come/Don't look at me, don't look at me/I'm just too dumb." 

While this song is called "The Dumb Song," it spotlights the painful feeling of perceiving yourself as "too dumb." With gang vocals inspired by the Beach Boys, horns and guitar give the song a facade of being lighthearted, but also give weight to the insecurity of stupidity.

Inertia

"I'm an object in motion, I've lost all emotion/My two legs are broken, but look at me dance/An object in motion, don't ask where I'm going/'Cause whеre I am goin' is right where I am." 

This is my personal favorite song of this entire album. Inertia focuses on someone who knows their life is messed up but doesn't try to do anything to change the trajectory. This song highlights the numbing experience of living a subpar life and the general feeling of being lost, which is something I can definitely relate to. Though I wish the drums and horns hit harder, it's the song I connect with the most, and I will continue listening to it on repeat.

Turning Out Pt. iii

"'Cause half the time I can't love right/And I'm half yours, and you're all mine."

Turning Out Pt.iii ends a beloved trilogy, written and lived by Ryan Met. After the previous songs question being ready for love and whether the feeling is actually love, this song illustrates the anxiety of wondering if you are on the right path with this person. While this song dances around dreams and doubts, it feels like the big hug Ryan needed and a reminder that love is little, quiet and worth waiting for.

Hole in the Bottom of My Brain

"Heads up, I'm sorry to be that guy/Heads up, I'm lookin' to just get by/Let's just say, let's just say we're fine." 

Inspired by the children's song, “There’s A Hole in the Bottom of the Sea,” this song illustrates the constant feeling of missing something. The dichotomy of a children's song melody while mentioning heavier topics of addiction and struggling mental health is an interesting choice. I didn't agree with it at first until I realized the interesting irony of song. While the lyrics are stronger than the melody in this piece, it deserves a listen.

The DJ is Crying for Help

"Oh, hired, hired, can I get hired?/Yeah, I fu**** up, but I did it my way/I'm tryin', tryin', I can start Friday/Gettin' a life's a little like dyin'."

This is another top pick of the entire album for me, ever since it came out as a single all the way from November 2022. As the song title suggests, the singer is crying for help. They don't know what to do or what step to take next. The violin after the chorus ties seamlessly alongside the gang vocals, and the melodies together sound similar to what a panic attack feels like. As someone who has had panic attacks before, it's almost comforting to find a song that illustrates the internal commotion. This is one of the songs where the powerful music production shines through.

I Won't

"So I do what you tell me to and do it to death/But I can't do this sh** again."

This song is meant get your head banging along with its simple drums and rhythm. With the fast-paced singing, it feels like all the thoughts in the singer's head are finally getting out and recognizing the emotions and ideas they had been holding back. It's a thought-train song — a great song to simply just vibe and sing along with.

Steve's Going to London

"While you try to find some meaning in your life before you die/Here's a bunch of random sh** to waste your time."

This song didn't sell me at first because, unlike the rest of the album, it didn't have the same emotional hold or bigger meaning. But that's part of the point — it serves as the album's brain-empty track: a song about writing song. Add in the gang vocals bringing the song together, and it is a fun listen overall.

God is Really Real

"God is really real when you really, really need Him/Karma just appears when you suddenly believe it." 

This is the most emotional song of the album. Whether you are religious or not, "God is Really Real" highlights the desparation one feels when a loved one is close to the end. You hear it in Jack's vocals, and you hear it in the rise of the guitars and choir. It's a beautiful track for anyone who has ever lost someone.

2085

"So if this is me, then I'll do my best/I'll take all the sh** so you'll never have to/You can be you, and I'll be the rest/Yeah, maybe that's who the h*** I am."

The ultimate conclusion to the album is incredible. While on the first listen it feels as though two songs are strung into one, it works in the context of "The Maybe Man" as a whole. He is able to reflect on what he learned — the value of connection, creativity and constant growth  — and say so in both a warm, guitar-driven piece and a larger-than-life ballad all tied in one song.

One of my favorite aspects of the song is after Jack repeats how "you" need to get better, he states, "I gotta get better; I'm all that I've got." To me, this alludes that there is a part of The Maybe Man in each of us; when we get lost in life, we all need to be reminded that we have to keep going at whatever pace is best for us.

The power of a voice: Maya Acutt’s journey with a cappella

After a long school week of homework and track practice, the sound of melodic singing surrounds Maya Acutt (’25) as she channels her passion for music into her weekends spent immersed in a cappella.

Acutt began her musical journey at a young age. At first, she solely focused on instrumental music. Shortly after, she decided to add singing to her musical repertoire.

“When I was 6 years old, my parents put me into piano lessons, like most parents do, and around the same time I started singing to accompany myself while I was playing,” Acutt said. “When I switched music teachers, my new teacher had more of a focus on piano and singing, so I did more solo songs, just singing.”

A few years later, Laura Saggers, her singing teacher, founded Squad Harmonix: a year-round a cappella program for advanced youth singers. Squad Harmonix trains four a cappella groups of varying expertise: Pop Squad, Junior Squad, Senior Squad and Varsity Squad. 

Acutt joined the program at the age of 12 and is now a member of Squad Harmonix’s Varsity Squad, which is considered their highest level. As a member of this group, Acutt is hired and paid to take part in competitions and perform at various events. For the past five years, she has spent most weekends with her fellow squad members.

“This community that I’ve been a part of and these people that I’ve known for so long are like a friend group to me. We have our own inside jokes, and we’ve been through a lot together,” Acutt said. “During our more casual performances, like at the farmers market, we can have fun with each other on stage, since it’s not a competition, and it’s a different energy.”

Through Squad Harmonix, Acutt has traveled to many places for performances. Last spring, Acutt and her squad travelled to New York City to perform at Carnegie Hall. Special guest Deke Sharon, who was featured on Total Vocal, invited Squad Harmonix along with several other a cappella groups to perform his arrangements in New York. 

Acutt had never been to Carnegie Hall prior to performing Sharon’s arrangements. She said that while walking onto the stage, she was amazed at its ornate and beautiful interior.

“Looking out into the audience from the stage was really pretty. I never expected that I would be traveling for a cappella, so the whole experience was kind of crazy,” Acutt said. “At this point, I don’t normally get nervous for shows because I’ve done so many, but performing at Carnegie Hall was nerve wracking. It was really fun though because I enjoy performing.”

As an a cappella group, the Varsity Squad works together to create sound using solely vocals. Acutt said she loves the collaborative aspect of being a part of an a cappella group.

“As a group, everyone is counting on you not to go off key, to stay in tempo, to blend and have dynamics,” Acutt said. “Once everyone locks in, singing in harmony with other people is the most beautiful sound in my opinion. I really enjoy being able to hear that.”

Throughout the years she has performed with Squad Harmonix, Acutt said her biggest supporters have been her parents and music teacher.

“I’m really glad that my parents have encouraged me to stay with singing, and my music teacher has been really influential for me, and she’s been in my life for a really long time,” Acutt said. “She’s helped me and pushed me and given me a lot of amazing opportunities including Carnegie Hall, as well as Scotland, this summer, to perform at the Edinburgh Festival Fringe.”

As Acutt gained more experience performing with the Varsity Squad, she began teaching younger kids at Squad Harmonix.

“I really enjoy teaching the younger kids because I feel like they’re so much better than I was when I was their age, so it makes me happy that they’re doing so well and that they have similar opportunities [that I’ve had],” Acutt said. “The younger kids recently were able to go to Carnegie Hall to perform this past spring break. It’s such a big achievement, especially because the youngest of them was 7. I’m so proud of them.” 

Acutt has been teaching the younger singers for almost two years. On Saturdays, she teaches from 11:30 a.m. to 2:30 p.m. and attends varsity rehearsals from 3:30 p.m. to 6:30 p.m. 

“It’s a huge commitment. Teaching them means helping them learn arrangements, learning their parts, playing out their music on the keyboard and having them sing it back to me ,” Acutt said. “I make sure they memorize their parts, and I help them with sight reading, sight singing and music theory.”

Through her experience working with kids, Acutt said the greatest quality she has gained is patience. 

“I’ve gotten better at understanding younger kids and their mentalities — how to keep them engaged and where they’re coming from,” Acutt said. “I was a younger kid at one point, and I’m closer in age to them than my teachers are to them, so it’s easier for me to connect with them because I understand them better than my own teachers probably do.”

Now that Acutt has spent enough time teaching, she is paid for her work. Since the community service aspect of her work has been removed with it being a paid position, Acutt is looking to find another way of serving the community outside of Squad Harmonix. 

“I reached out to the Alexandria House which is a home for displaced women and children,” Acutt said. “I’m going to be doing a summer program teaching the kids there what I’ve learned and a few songs that they can perform to their families at the end of the program.”

In her future, Acutt said she sees music as more of a hobby rather than a profession. However, she said the responsibility and teamwork she has learned while being in Squad Harmonix as well as teaching kids are skills she will always benefit from.

Being a part of an a cappella group is a huge collaborative process, and it teaches you to be able to work with people and adjust for other people,” Acutt said. “This group is really tight-knit and committed. It’s like a sports team in that everyone is relying on you, and you’re relying on everyone else to be as committed and as good as possible.”

Leave a Comment
More to Discover
About the Contributor
Tavi Memoli
Tavi Memoli, Senior Reporter
Tavi Memoli joined The Oracle as a staff reporter in 2022 and is now returning as a senior reporter in 2023. She plays indoor and beach volleyball and is currently in her third year on the varsity team. She loves baking, surfing, and listening to music in her free time.

Comments (0)

As part of Archer’s active and engaged community, the Editorial Board welcomes reader comments and debate and encourages community members to take ownership of their opinions by using their names when commenting. However, in order to ensure a diverse range of opinions, the editorial board does allow anonymous comments on articles as long as the perspective cannot be obtained elsewhere, and they are respectful and relevant. We do require a valid, verified email address, which will not be displayed, but will be used to confirm your comments. Because we are a 6-12 school, the Editorial Board reserves the right to omit profanity and content that we deem inappropriate for our audience. We do not publish comments that serve primarily as an advertisement or to promote a specific product. Comments are moderated and may be edited in accordance with the Oracle’s profanity policy, but the Editorial Board will not change the intent or message of comments. They will appear once approved.
All The Oracle Picks Reader Picks Sort: Newest

Your email address will not be published. Required fields are marked *